Fashion watchers are once again drawing comparisons between Julia Fox and Australian architect Bianca Censori. Known for their fearless, lingerie-as-outerwear ensembles and front-row appearances at major runway shows, the two women share more than a penchant for daring fashion, and this week, their style convergence was impossible to miss.
Julia Fox turned heads at Marc Jacobs’ Spring 2026 runway show on Monday, arriving at New York City’s Park Avenue Armory in a bold ensemble that fused lingerie and outerwear.
The 36-year-old actress wore a purple satin bra, pale pink underwear, and towering Marc Jacobs platform boots with exaggerated curved heels and lace-up fronts. She layered a lilac camisole and sheer body stocking under a DSquared2 faux fur coat, accessorizing with Ashley Williams’ frilly pink Bow Heart clutch, a nod to the upcoming Valentine’s Day holiday.
The look echoed an outfit Bianca Censori wore just three months earlier during a rare family outing in Melbourne. The 31-year-old architect stepped out with her mother, Alexandra, and sister, Angelina, in the same purple satin and pink lingerie-inspired ensemble, styling it with a lilac bodysuit, sheer tights, and metallic pointed-toe heels.
Online chatter quickly drew comparisons between the two women, both celebrated for their bold and unconventional fashion choices. Where Censori kept her footwear relatively understated, Fox went full skyscraper in her platform boots.
Her glam was equally audacious, pairing glossy pin curls with dramatic dark eyeshadow, purple blush, and bleached brows. The ensemble echoed the exposed underpinnings featured in Jacobs’ Spring 2026 collection, continuing Fox’s reputation as a front-row fixture unafraid to road-test the designer’s wildest creations.
This isn’t the first time Fox’s style has drawn parallels to Censori’s. Back in March 2025, Fox channeled a similar barely-there aesthetic at the Vanity Fair Oscars after-party in Beverly Hills, wearing a beige sheer lace gown with extra-long hair extensions strategically woven into the fabric.
At the time, the look gave “major Bianca Censori vibes,” echoing a moment from Censori at the 2025 Grammys, where she revealed a sheer minidress under a dark fur coat while standing next to Kanye West.
Fox explained her approach to fashion in 2024, telling NYLON, “I like clothes to tell a story. I think when you're jumping on every trend that comes along, it shows a lack of authenticity or identity.”
Speaking to Allure about her fashion philosophy, she explained, “If I’m going to put on an outfit… It can never just be a pretty outfit. It has to have some kind of meaning that I can tap into then play that character. Some sort of thread that aligns with who I am.”
The parallels between Fox and Censori extend beyond fashion. Both women were romantically linked to Kanye West at different times. Fox briefly in early 2022 and Censori as his current partner.
Despite their shared history with the rapper, Fox has expressed support for Censori. During a candid TikTok livestream, Fox reflected on the Australian architect, saying she hadn’t met her in person but had “heard from people” that Bianca is “so sweet.” With a wry sense of humor, she added, “better her than me.”
Fox has also been candid about her tumultuous past with Kanye, describing the relationship as brief but impactful. “I regret that relationship so much,” she told the U.K.’s Sunday Times. “It was only a few weeks but enough to last me a lifetime.”
She added that she quickly realized she was being “used as a pawn” in a larger narrative involving Kanye’s ex-wife, Kim Kardashian. Despite the public nature of the romance, Fox emphasized that it wasn’t her choice to make it so visible. “It wasn’t my idea,” she said. “They should’ve waited, but then boom, it was done behind my back.”
Family remains a grounding force for Fox, particularly her son Valentino. “No man, no matter how rich or famous, is worth one minute away from my child,” she reflected, underscoring the personal boundaries that guided her through her short-lived high-profile romance.










