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Grace Kelly’s Granddaughter Revives Grace Kelly’s Iconic 'Rear Window' Look at Monaco Gala© Archive Photos

special moment

Grace Kelly’s granddaughter Camille Gottlieb revives her iconic 'Rear Window' look at Monaco gala

“When I was little, I was often told I looked like my grandmother,” she added.


Daniel Neira
Senior Writer
JULY 15, 2025 5:43 PM EDT

Over seven decades after Grace Kelly first appeared in Alfred Hitchcock’s 'Rear Window', her granddaughter Camille Gottlieb revived the moment with a modern update.

At the 76th annual Red Cross Ball held in Monaco on July 12, Gottlieb, 27, paid tribute to her legendary grandmother by stepping out in a custom black-and-white gown inspired by Kelly’s unforgettable Edith Head-designed look from the 1954 film. 

Grace Kelly on the set of Rear Window, directed and produced by Alfred Hitchcock. © Sunset Boulevard
Grace Kelly on the set of Rear Window, directed and produced by Alfred Hitchcock.

The Italian fashion house Elisabetta Franchi was behind the updated creation, which blended Old Hollywood elegance with contemporary flair.

Over seven decades after Grace Kelly first appeared in Alfred Hitchcock’s 'Rear Window', her granddaughter Camille Gottlieb revived the iconic look.© Stephane Cardinale - Corbis
Over seven decades after Grace Kelly first appeared in Alfred Hitchcock’s 'Rear Window', her granddaughter Camille Gottlieb revived the iconic look.

“It’s an honor to pay homage to her this evening,” Gottlieb said in a behind-the-scenes Instagram video, where she reflected on being compared to Kelly since childhood. 

“When I was little, I was often told I looked like my grandmother,” she added, calling it “one of the biggest compliments.” The gown closely mirrored the structure of Kelly’s original, consisting of a romantic off-the-shoulder neckline, ruched bodice, and full tulle skirt. 

Grace Kelly poses for a portrait on the set of the Paramount Pictures movie 'Rear Window' in November 1953 © Michael Ochs Archives
Grace Kelly poses for a portrait on the set of the Paramount Pictures movie 'Rear Window' in November 1953

Gottlieb’s version featured silver floral embroidery, a high-leg slit, and a sculpted satin bodice. “Thanks to @elisabettafranchi, I was able to pay tribute to my grandmother with this beautiful dress,” Gottlieb captioned another Instagram post in French.

Marie Ducruet, Louis Ducruet, Princess Charlene of Monaco, Prince Albert II of Monaco and Camille Gottlieb attend the 76th Red Cross Ball © Pascal Le Segretain
Marie Ducruet, Louis Ducruet, Princess Charlene of Monaco, Prince Albert II of Monaco and Camille Gottlieb attend the 76th Red Cross Ball

Camille completed the look with black heels, a sweeping updo, and a diamond Cartier choker featuring a leaf-shaped pendant, an understated nod to Kelly’s own love of classic jewelry. 

Grace Kelly and Jimmy Stewart on the set of the Paramount Pictures movie 'Rear Window' in November 1953 in Los Angeles, California. © Michael Ochs Archives
Grace Kelly and Jimmy Stewart on the set of the Paramount Pictures movie 'Rear Window' in November 1953 in Los Angeles, California.

Also in attendance were several family members, including Prince Albert and Princess Charlene, as well as Gottlieb’s half-brother Louis Ducruet and his wife Marie Chevallier, making the evening a deeply personal family affair.

Camille Gottlieb, Louis Ducruet and Marie Ducruet attend the 76th Red Cross Ball on July 12, 2025 in Monaco© Pascal Le Segretain
Camille Gottlieb, Louis Ducruet and Marie Ducruet attend the 76th Red Cross Ball on July 12, 2025 in Monaco

Though she never met her grandmother, who died in 1982 following a tragic car accident, Camille has repeatedly shown she inherited not only Grace’s features but her timeless style. "I’ve seen all her films," she said before the event. "Her outfit in Alfred Hitchcock’s work is one of my favorites."

The gown that inspired it all has long been considered a hallmark of Kelly’s brief but powerful film career. Designed by costume legend Edith Head, the original Rear Window dress showcases the elegance of Lisa Fremont, Kelly’s character, and remains one of cinema’s most stunning fashion moments. In 2010, a sketch of the dress sold at Christie’s for nearly $10,000.

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