Kim Kardashian and the rest of the 'All’s Fair' cast brought the house down with their gowns

Kim made her red-carpet entrance in a sculptural Schiaparelli gown from the house’s Spring 2025 collection. The halter-style nude satin underlayer is draped with sheer black tulle, forming a liquid-like silhouette that emphasizes her curves. 

What sets this gown apart is the transparent exposure of its inner corsetry — seams, structure, “visible architecture” — turning the underpinnings into part of the visual drama. The bottom then bursts into twisted satin drapes and a trumpet skirt, giving the whole piece movement and volume. 

To let the design do its talking, Kim styled minimally: a sleek bun, subtle diamonds, and no overpowering accessories. The result is one of her boldest red-carpet moments. The dress is both sultry and high art, a move into couture territory that pushes beyond her usual body-hugging staples.

If Kim leaned into sculptural neutrals, Kris went full color. The momager chose a bright lemon-yellow Givenchy coat-dress from the brand’s FW25 ready-to-wear line, marking Sarah Burton’s early creative direction for the house. 

The piece has voluminous sleeves and an oversized black satin bow accentuating the waist, giving it a youthful swing-coat silhouette. She grounded it with classic black tights, gloves, and pointy pumps, letting the color pop without visual clash.

Glenn Close brought her signature gravitas to the carpet in a custom Carolina Herrera. The ensemble featured a fitted black bolero jacket paired with a matching gown that had a high stand-up collar and V-neck. 

She doubled down on drama with opera-length black leather gloves (a known favorite of hers) and dazzling Neil Lane jewels. Her silver pixie cut and clean makeup completed the look.

Sarah leaned into fashion-forward territory with a look straight from Bottega Veneta’s Spring 2026 runway under Louise Trotter’s direction. The upper portion evokes a casual T-shirt, but the lower half explodes in ombré multicolor fringe crafted from recycled fiberglass threads. 

Her accessories, chunky jewelry in resin and silver, felt sculptural without competing. She kept her beauty minimal, letting texture and structure carry the statement. 

Teyana made one of the boldest moves in a lacquered silk, striped mermaid gown from Cong Tri’s Fall 2025. The silhouette hugs like a sculpture, with a molded waist and dramatic fishtail hem. She added a hooded jacket in the same material, blending couture and streetwear. 

Her jewelry, a Maasai-inspired choker layered with horn elements, echoed the gown’s lines and added an earth-meets-futuristic layer. Her beauty choices included blunt bangs and smoky eyes.

Niecy leaned classic-glam but dialed it all the way up. She wore a curve-defining strapless sequin gown from Sergio Hudson’s Resort 2026 line, drenched in fiery red sparkle. 

To heighten the theatrical effect, she draped a long red satin coat over her shoulders like a regal train. Her hair was a sleek, side-parted bob; makeup was sultry; lips were glossy nude. It was a showstopper with confidence to spare.

Naomi took the more subtle route and turned it into a standout. She wore a Schiaparelli ensemble combining a structured, textured black high-neck top (complete with bold shoulders) and a fluid ivory satin skirt. 

The color-block contrast felt modern and sharp; the shoulder detail nodded to the resurgence of power shapes. She kept styling minimal, allowing the structural tension to do the work.

It was poised, artful, and right in her wheelhouse, but still bold in execution.