Daniela Califa knew exactly what she wanted when it came time for her own engagement ring. Before marrying Diego Ollague, she had given him one very specific instruction: if he ever proposed, she wanted to design the ring herself. For a gemologist who would eventually put her own name on a fine jewelry business, it somehow made perfect sense.
Califa began her career in Monterrey studying fashion before specializing at the Gemological Institute of America and eventually moving to Mexico City. After years working for another jewelry company, she stepped out on her own, developing a practice centered on exceptional stones, craftsmanship and custom design.
Her process begins with the gems themselves. Emeralds have long been a favorite, but diamonds and colored stones also become starting points for pieces made by jewelers and artisans in Mexico City. From the initial rendering and wax model through casting, setting and finishing, Califa stays closely involved. More recently, vintage jewelry and objects with a history have also become part of her creative vocabulary.
That attention to craft has taken her well beyond Mexico. In 2024, Califa became the first Mexican designer represented at La Galerie at the Ritz Paris, according to Players of Life. Her jewelry is now also available at The Plaza in New York, the Four Seasons Hotel Mexico City and the Presidente InterContinental Mexico City.
In 2025, her international presence became even more visible. Chiara Ferragni wore Califa jewelry, including pieces with amethyst, emerald and blue topaz, for an ¡HOLA! fashion feature. Later that year, Califa participated in the LuxuryLab Pop-Up Market at the Beverly Wilshire, bringing her work to Beverly Hills and another important luxury audience.
Her connection with ¡HOLA! continued at the inaugural Latina Powerhouse 100 gala in Miami, where Califa’s diamond-pavé Hummingbird Brooch was presented to the women being honored. It was a fitting intersection of her work and the evening itself: a Mexican designer creating something lasting for a group of women being recognized for what they have achieved and what they are still creating.
Now, in 2026, Califa is looking toward further international growth while staying close to the approach that first defined her work. Paris, New York, Beverly Hills and Miami have given her jewelry a larger stage, but the idea behind it remains remarkably simple: create pieces someone will want to wear now, keep for years and perhaps one day pass on.
,type=downsize)






