Coco Gauff addresses viral smashing racket moment at Australian Open
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Coco Gauff addresses viral smashing racket moment at Australian Open
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champions are human

Coco Gauff addresses viral smashing racket moment at Australian Open


The 21-year-old American tennis star, currently ranked world No. 3, found herself at the center of conversation following a raw emotional moment


© Getty Images
Shirley GomezSenior Writer
JANUARY 28, 2026 10:06 AM ESTJAN 28, 2026, 10:06 AM EST

Coco Gauff’s 2026 Australian Open journey ended earlier than expected, but it was what happened after the match that truly captured global attention. The 21-year-old American tennis star, currently ranked world No. 3, found herself at the center of conversation following a raw emotional moment that unfolded away from the court. After her quarterfinal loss to Elina Svitolina, Gauff smashed her racket in a stadium corridor, a reaction that was later captured on camera and widely shared.

The incident sparked debate about pressure, emotional expression, and the intense demands placed on elite athletes. Gauff’s response, however, added important context and maturity to the moment, reminding fans that even the most composed champions are human.

© Getty Images
Coco Gauff of the United States reacts against Elina Svitolina of Ukraine during the Women's Singles Quarterfinal.

A Tough Loss in Melbourne

Gauff entered the Australian Open with high expectations after a strong start to the season. Her quarterfinal match against Ukrainian veteran Elina Svitolina proved to be a sharp reality check. The game lasted just 59 minutes and ended in a decisive 1–6, 2–6 defeat. In under an hour, months of preparation, training, and anticipation came to a halt.

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Such a swift loss can be especially jarring for a player of Gauff’s caliber, particularly on a Grand Slam stage. The scoreboard told a clear story, but it did not reflect the emotional weight carried by a player who had hoped to contend for the title.

© Getty Images
Coco Gauff of the United States reacts in the Women's Singles Quarter Finals match against Elina Svitolina of Ukraine.

The Viral Corridor Moment Explained

Shortly after leaving the court, cameras captured Gauff walking through a restricted stadium area before turning and forcefully smashing her racket on the ground. The clip circulated rapidly across social platforms, prompting mixed reactions from fans and commentators.

Rather than avoiding the topic, Gauff addressed it directly during her post-match press conference. She acknowledged the incident and explained that it was an emotional release rather than an act of anger directed at anyone else. “I don’t like people seeing me like that, and I hid in a place where I thought there wouldn’t be cameras,” she said. 

Choosing Self-Control Over Spillover

What stood out most in Gauff’s explanation was her reasoning. She emphasized that breaking a racket was, in her view, the lesser of two evils. Instead of letting frustration spill over onto her coaching staff or people close to her, she chose a solitary outlet. “I’d rather break a racket than unload on my team. I don’t want to be irritable with them; they don’t deserve that. Sometimes I just need to let the frustration out,” she added.

© Getty Images
Coco Gauff of the United States reacts against Elina Svitolina of Ukraine in the Women's Singles Quarterfinal.

This perspective resonated with many fans and fellow athletes. High-level tennis is not only physically demanding but mentally relentless. Players are expected to maintain composure in front of packed stadiums, global broadcasts, and constant scrutiny. 

Looking Ahead After the Australian Open

While the Australian Open result was disappointing, Gauff’s season is far from defined by one match. Early exits are part of every athlete’s journey, even at the highest level. What matters is the response, and Gauff’s has been grounded, thoughtful, and focused.

As the tennis calendar continues, attention will quickly shift to upcoming tournaments where Gauff remains a strong contender.

© ¡HOLA! Reproduction of this article and its photographs in whole or in part is prohibited, even when citing their source.

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